A few weeks ago, I was critiquing some super panels (aka polyptyches aka multi-pans or multi-panel pan sequences) for being unnecessary or inconsistent. Today I’m going to share two that I think work well. (more…)
Posts Tagged ‘multi-panel_pan’
It’s Joe’s second installment in his nitpicky critique of comic book multi-pans (aka super panels or polyptychs.) Recently I posted about gratuitous gutters, today it’s a look at motion and how it lines up across panels.
It’s very common for multi-pans to be used to show motion. As a character moves across a landscape, a polyptych can hold the background steady, and show characters multiple times traveling from one location to another. With characters in motion, artists include motion lines to show where they’ve come from. Sometimes the motion lines, position, and background don’t quite all line up consistently. (more…)
I wrote earlier about comic books’ mutli-panel pan sequences, which can also interchangeably be called super panels, polyptychs, multi-pans. I’ve been compiling this still-very-very-incomplete chronological index of super panels. For a really broad-brush review: These multi-pans arise early in comics history, are expored sporadically by some early comics masters, largely fall out of favor from the 1950s–1960s, then re-emerge with greater frequency in the late 1970s–1980s.
For this post, I want to explore some questionable multi-pans. These aren’t necessarily 100% wrong. Some of these are the work of masters, others are from comic artists whom I have less respect for. Right now I’m an artist who barely dabbles in comics, so I may not be all that qualified to critique these… but I’ll put my opinion out there nonetheless. Ultimately the decision on how to portray something in images and words is an artistic decision… it’s up to the creator… not the critic.
I am planning to do a series of three post explaining three different types of questionable multi-pans: (I’ll go in retroactively and update these with links.)
- gratuitous multi-pans
- motion-logic inconsistent multi-pans
In super-hero comics in the 1980s–1990s, multi-pans became fairly common. It wasn’t as if they were in every page… but lots of artists used them… often… whether they actually made sense or not. The multi-pans that I call gratuitous are ones where the gutters (white space between panels) could be removed and the panel would work just fine. (more…)
So… I’ve written about these comics-panels-with-multiple-images-across-one-background before, and have been collecting examples from the 1900s through recent years. They’re called polyptychs or multi-panel pan sequences or multi-pans… but I just learned a new term for them: Super Panels. Ay… it’s so refreshingly low-brow! There’s a good collection of them, with discussion, etc., at Michel Fiffe’s website. (more…)
One post isn’t enough to cover Art Spiegelman’s entire oevre… so I am going to try to touch on a few things and call it a post. Easier said (written) than done.
Over the past month, I re-read pretty much everything I own that Spiegelman has done (see list below.) I scanned a few things for my mutli-panel pan inventory. Then I walked into a bookstore and saw MetaMaus – Spiegelman’s new 300-page book that explores what makes Maus Maus. I bought it immediately, and spent a lazy day reading it… and then dove back in and read most of Maus again, seeing all kinds of wonderful things that Spiegelman had hidden in plain sight. (more…)
I recently re-read Scott McCloud‘s awesome 1993 treatise on comics Understanding Comics: The Invisible Art. This book, along with McCloud’s subsequent comics volumes, is really the best resource for exploring comic book vocabulary – ie: how comics do what comics do.
McCloud’s chapter 4, on Time Frames, touches on what I’ve been calling a “multi-panel pan sequence” (though I’ve been thinking of trimming this to a “multi-pan”) and he calls this sequence a “polyptych.”
The “1963” image above got me thinking about multi-panel pan sequences in comic books and comic strips.
I bought Alan Moore’s “1963” Mystery Incorporated comic book in 1993, and enjoyed it without noticing the above panel. 1963 is Moore’s homage to (and parody of) the early 1960s Marvel Comics created mostly by Stan Lee, Jack Kirby and Steve Ditko. These comics included the beginnings of various costumed heroes that are now all over, including on movie screens. The big early 60s Marvel debuts include Spiderman, the Fantastic Four, Hulk, Iron Man, X-men and many others. (more…)